Swedish Auto (DP)

VARIETY LAUDED THE “EXPERT CINEMATOGRAPHY” in this feature starring January Jones (of Mad Men fame) and Lucas Haas.  The director wanted a distinctive look to render the story of two voyeurs who fall in love.  I Used cyan filters through much of the movie until the end when the two stars finally unite.  Camera movement cut against expectations.  In emotionally intimate moments between the two leads, we shot handheld.  But during physical conflict and tension, we kept camera still or on a dolly.  Shot in precious Super 16.  (I really miss 16.) Directed by Derek Sieg.